Text for Offsite Exhibitions here.
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast collection.
In the fourth part of SCULPTURE SECRETS, we take a peek back at a memorable conservation project and an unexpected visitor...
Irish viewers tuning in to the recent BBC2 documentary Shock of the Nude will have seen a very familiar face gracing our Sculpture Galleries.
Filming for the series brought prominent Classicist and TV regular Professor Mary Beard to Crawford Art Gallery, where she was able to play a hands-on role in our midsummer conservation project, The Fig Reveal (17-28 June 2019).
During her visit, Mary assisted expert conservator Eoghan Dalton in removing fig-leaves from six of our historic plaster casts: Adonis, Apollo Belvedere, Laocoön and His Sons, and the Belvedere Torso.
Why were the fig-leaves removed? These fig-leaves were not original features of the casts, they were probably added in the Victorian period, or a little before, as modesty coverings for the nude sculptures. In ancient Greece and Rome, perfectly formed naked bodies of the sculptures symbolised the virtues of training hard in the gymnasium, but the Victorians saw the same nude pieces as a source of depravity and vice!
They attached fig-leaves to casts using either metal hooks or a plaster bonding agent to prevent anyone from catching a glimpse of the sculptural genitalia. The fig-leaf was likely chosen as a modesty motif as a direct reference to the Biblical Adam and Eve, who used fig-leaves to cover themselves following their expulsion from paradise.
Today, the nude form is no longer so taboo. Crawford Art Gallery’s curators decided to restore the casts to how they originally appeared upon arrival in Cork over 200 years ago. In the following snippet from her documentary, Mary Beard is shown gently helping Eoghan Dalton to prise a plaster leaf from the surface of Apollo Belvedere. Mary jokingly compares the process to a brutal form of dentistry!
The fig-leaves removed by Eoghan and Mary have been retained as archival documents of the casts’ histories and are on display in a dedicated case. In the photo below, can you see the marks indicating where the genitalia would have been positioned behind the fig-leaf?
Virtual fun in the Sculpture Galleries doesn’t stop here! Each post in this series will be accompanied by an activity sheet especially tailored for a younger audience. In this instalment, we invite our artistic explorers to design a modern-day gym outfit for our cast of The Discus Thrower at Rest.
Abbey Ellis is a PhD researcher at the University of Leicester and Ashmolean Museum, Oxford on an AHRC CDP placement at Crawford Art Gallery. Her research focuses on archaeological plaster casts, sculptural materials and making, and authenticity.
Cuirfidh Gailearaí Ealaíne Crawford moratóir iasachta i bhfeidhm idir Meitheamh 2024 go Meán Fómhair 2027 agus mar sin ní bheidh muid in ann iarratais a dhéanamh saothair a fháil ar iasacht ón mBailiúchán le linn na tréimhse seo. Ní mór gach iarratas ar iasacht nua a chur isteach roimh Meitheamh 2024. Seasaimid leis na gealltanais iasachta […]
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, […]
Cuimsíonn an bailiúchán os cionn 3,500 saothar, ina bhfuil péintéireacht agus dealbhóireacht Éireannach agus Eorpach ón ochtó céad déag anuas go dtí na suiteálacha físeáin comhaimseartha. I gcroílár an bhailiúcháin tá dealbhóireacht teilgthe bailithe ón nGréig agus ón Rómáin, a tugadh go Corcaigh in 1818 ó Mhúsaem na Vatacáine sa Róimh. Is féidir leat ár […]
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Cláraigh lenár nuachtlitir chun fanacht suas chun dáta le Claochlú Ghailearaí Ealaíne Crawford Preasráiteas 2024 Fiona Shaw: “Siombail mhór de neart na Cathrach” é athfhorbairt Ghailearaí Ealaíne Crawford (804kb)Is Oíche Chultúir mhór a bheidh i ndán do Ghailearaí Ealaíne Crawford don deireadh uair roimh athfhorbairt (615kb)Fógraíonn Gailearaí Ealaíne Crawford dáta dúnta don mhór-athfhorbairt (658kb)Seachtain na […]
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, […]
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, […]
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast […]
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast […]
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast […]
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast […]
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast […]
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast […]
In this new 8-part series, we explore the stories of our Sculpture Galleries and uncover curious things that usually only curators get to see! Discover sculptors’ secrets and makers’ marks, focus on flashlines and fig leaves, and seek missing arms – and even extra feet – as Abbey Ellis traces the tales of our cast […]
