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TEELING AND TAYLOR: 
in the glow of a frozen flame

17 May – 21 July
2. IRON

Mr. B’s workshop windows were kept open all year round. Thick air outwards. Thick air in. Sparks held their shape while he hammered metal on his anvil. Bouncing off his leather apron, they flew outdoors and hung close, decorating Half-Moon Street and Emmet Place.1Stages of Mr. B’s process were held and furthered and made permanent in a local sky. Sparks’ reds and oranges pulsated, and they spread, making a temporary canopy across the width of Emmett Place. They floated and gently roamed like disordered thoughts, micro in their value, and powerful in their freedom. In the comfort and effort of a coal fire, Mr. B’s metal sat in redness. A slowed down sequence reclaimed peace in the time of making. A giant, expanded accordion-shaped paddle produced excess air. Determined by design, his workshop had clarity. His close work made a hammer on metal as focused as land’s thirst for the earth’s core. Every place had its own sky. His was the shape of the negative space of his curly ironwork. Its own forecast. Its own history. The multiple sparks settled and glittered. Touchable stars acting as wise little structures, little pieces of knowledge, little reminders of what had been. Scattered like the invaded empire that kept iron as a secret and travelled and moved and applied their smelting knowledge to produce the Iron Age.2The sparks intersected with frozen feathers. Occasionally kissing when seen at particular angles. When Mr. B turned off Half-Moon Street in an elegant swerve, his legs making arcs, he swore he saw a spark and feather kiss. As unbelievable and guaranteed as a shooting star. Both earned a permanent status in Emmet Place ¬¬– there was no threat of a spark burning a feather or a feather disintegrating in heat or rain. No worries of the sparks dying out in the rain either. These items carried a presence that was outside of time and resistant to impact from the elements.3Their power was to record events. They were up against a head-bowing silence and attempts at forgetting. Mr. B’s beads of sweat glowed like a frozen flame. His teardrop fluids were the same shape as the top of his ornate railings. His body and labour made permanent around the city. Homes and businesses were hemmed by his iron produce. He coated a world. A witness is still. A gaze is frantic.

1. “Mattress and quilt factory, Booth & Fox, factory and along with several businesses and shops, went on fire on 10th August 1949 at approximately 5.30am. Mrs. Foley, who was residing along in No. 22 Drawbridge Street where Mr. Paul Fitzgibbon, plumber, had his place of business, said that she was awakened by the crackling sound of burning timber. ‘I sleep in a back bedroom’, she said, ‘and when I jumped out of bed the flames appeared to be coming in the window’. Mrs Foley said that she ran in to the street to find that several of her neighbours had already left their homes and brought some of their belongings with them. No serious damage was done to any property in this house.” (Evening Echo:1949)

2. John Buckley died in Cork in 1939, nineteen years after the Burning of Cork and ten years before a major fire at Booth & Fox and neighbouring businesses.

3. Perry Street was strewn with goods and debris from a fire at Booth & Fox. (The Cork Examiner: 1949)
Audio performance by Pretty Happy.

Emmett Place, Cork, Ireland
T12 TNE6
Tel: 021 480 5042
info@crawfordartgallery.ie

Opening Hours
N.B. Last entry is 15 minutes before closing

Monday–Saturday 10.00am–5.00pm*
Thursday until 8.00pm

Sundays and Bank Holidays
11.00 am4.00pm

*Second floor closes 15 minutes before closing
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