Although we still cannot meet in person, we would like to invite you back to the Crawford Art Gallery through a series of filmed art sessions based in the Gallery, which will coincide with an Art envelope posted to participants.
If you would like to get more involved and participate with Lonradh in the Gallery, please contact us at:
Lonradh Programme, c/o Anne Boddaert Crawford Art Gallery Emmet Place, Cork
This filmed session is brought to you from the beautiful wood panelled Library in the Crawford Art Gallery. We are taking a closer look at our immediate surroundings and further afield.
Although we still cannot meet in person, we would like to invite you back to the Crawford Art Gallery through a series of filmed art sessions based in the Gallery, which will coincide with an Art envelope posted to participants.
If you would like to get more involved and participate with Lonradh in the Gallery, please contact us at:
Lonradh Programme, c/o Anne Boddaert Crawford Art Gallery Emmet Place, Cork
Edith Somerville, Sketch of Head for ‘The Goose Girl’, c.1888, ink wash on paper, 12.7 x 11.43 cm. Purchased, 2020.
John Lavery, The Red Rose, 1923
This filmed session focuses on some of the very fine examples of Portraiture in Crawford Art Gallery. For a summary of the video in Irish click here.
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Pop of Colour
Although we still cannot meet in person, we would like to invite you back to the Crawford Art Gallery through a series of filmed art sessions based in the Gallery, which will coincide with an Art envelope posted to participants.
If you would like to get more involved and participate with Lonradh in the Gallery, please contact us at:
Lonradh Programme, c/o Anne Boddaert Crawford Art Gallery Emmet Place, Cork
CAG.308 Mainie Jellett, Abstract Composition, c.1935, oil on canvas, 104 x 81.5 cm. Presented, Friends of the National Collections of Ireland.
Taking Patrick Scott’s painting as a starting point we are looking at the power of colour through collage. Video by Ellen Whelan. For a summary of the video in Irish click here.
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Making a mark
Gail Ritchie, Big Albert, 1999, charcoal on paper, Crawford Art Gallery Collection.
Syliva Cooke-Collis, Cahirmee Fair 20th c, acrylic on board, Crawford Art Gallery Collection.
Looking at Gail Ritchie’s drawing ‘Big Albert’ we are exploring texture through mark making with charcoal and pastel.
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The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
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The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
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