Crawford Art Gallerypermanent collection

The Argent Revelry
At Length Burst in the Argent Revelry
(Design for the Eve of St. Agnes Window)
c,1923
Irish School
Pencil, watercolour and gouache on paper
30 x 20.9cm

89-P

Gibson Fund acquisition 1924
V

At length burst in the argent revelry,
With plume, tiara, and all rich array,
Numerous as shadows haunting fairily
The brain, new stuff d, in youth, with triumphs gay
Of old romance. These let us wish away,
And turn, sole-thoughted, to one Lady there,
Whose heart had brooded, all that wintry day,
On love, and wing´d St. Agnes´ saintly care,
As she had heard old dames full many times declare.

"The Eve of St. Agnes"
John Keats














Harry Clarke
1889–1931
Irish School

Clarke may be described as Ireland´s major Symbolist artist, whose synthesis of literary, musical, poetic and imagined visual images draws on a wide range of eclectic, sometimes obscure sources to produce an entirely original and idiosyncratic vision. This is as firmly rooted in the Yeatsian Celtic Revival and National Romanticism of late 19th/early 20th century Ireland as in European Symbolism, Decadence, and Art Nouveau of the same period, with the unusual extra dimension of consummate technical skill in stained glass. Clarke´s ability to express his art through one of the most demanding of crafts, in a modern yet traditionally inspired Arts and Crafts idiom, gives his work a sumptuous richness and depth usually only evoked, rather than realised, by his contemporaries. In Ireland, this fusion of vision and skill was only achieved by his contemporaries, Wilhellmina Geddes and Michael Healy, of An Tur Gloine stained glass studio in Dublin, and, more recently, by the two
contemporary Cork-based artists, Maud Cotter and James Scanlon.