Crawford Art GallerySubscribe

Algernon Talmage Blue and Silver
The Sleeping Shepherd – Early Morning, c.1854-7

VISIBLE POETRY Samuel Palmer
Until 14 June 2014


The Crawford Art Gallery is delighted to present an exhibition of the complete etchings of Samuel Palmer (1805-1881), one of the key figures of English Romanticism, alongside works which inspired the artist including Durer, Turner, John Ruskin, Seymour Haden and Francis Danby.

View installation photographs of the exhibition here.

Key works by 20th century printmakers who continued the pastoral tradition such as Frank Short, Paul Drury, Robin Tanner, John Piper, Graham Sutherland, Victor Pasmore are also included in this exhibition.

The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil.1

William Butler Yeats both admired and was attuned to Samuel Palmer’s etchings, in particular “The Lonely Tower”. It is easy to see why the poet mistook this quiet and compelling composition for an engraving. Samuel Palmer turned to the techniques of etching from mid-career and this medium not only lent a new creative impulse to his work and became Samuel Palmer’s favourite branch of art.

His thirteen etchings, with additional proofs and the four compositions completed after his death by his son A.H Palmer are on display on these walls, together for the first time.

Each etching is not the result of rapid or direct drawing from nature, but the accumulation of long and painstaking effort, experiment and recollected emotions. To both, father and son, the charm of etching was in “the glimmering through of the paper even in the shadows so that almost everything either sparkles or suggests sparkle”.

Etching seems to me to stand alone among the complete Arts.
The great peculiarity of etching seems to be that its difficulties; an
elegant mixture of the manual, chemical and calculative, so that its very mishaps and blunders (usually remediable) are a constant amusement,
it raises and keeps alive a speculative curiosity, it has something
of the excitement of gambling without its guilt and its ruin.
2

Curated by Anne Boddaert and Edward Twohig, from the Twohig collection.

Access and Participation programme

Thursday 3 April   5pm   
Inaugural tour of the exhibition by Edward Twohig.

Tuesday 8 April     1pm  
 
Guided tour -  part of the 2014 Cork Lifelong Learning  Festival.

Thursday 10 April  6pm  
 
Guided tour by Edward Twohig.

Friday 11 April        1pm   
 
Lecture: Visible Poetry:  The Etchings of Samuel Palmer - part of the Friends of the Crawford Art Gallery lecture series.

Saturday 12 April    2pm 
 
Guided tour - part of the 2014 Lifelong Learning Festival.


1 From “The Phases of the Moon” in “The Wild Swans at Coole “, 1919 by W.B. Yeats

2 Samuel Palmer in a letter to Philip Gilbert Hamerton from Life & Letters, p.336-7